Transitional serifs bridge the gap between Old Style, such as Garamond and Caslon, and Modern serifs, like Didot. Less sterile than Neo-Grotesque sans-serifs like Helvetica, Grotesque Sans have the ability to inject warmth and personality into modern designs.ĭia balances vintage references with a modern mood, while free-to-download Questa Sans and Sporting Grotesque are both budget-friendly ways to jump on the Grotesque Sans bandwagon. Grotesque fonts take their design cues from 19th century sans-serifs, which gives them a slightly old-school vibe. But, you can also achieve the look at no expense with Inconsolata. Messina Sans Mono and Helvetica Monospaced are on every Modernist-loving designer’s wishlist. Perfect for balancing out more elaborate headers, this style adds a minimal, retro vibe to designs. 1990s interpretation ITC Souvenir is also looking fresher and more relevant.ĭigital-inspired monospaced fonts make a great alternative to serifs or sans-serifs for body text. Gascogne Serial embodies the style, and you can download the Regular weight for free.įor a more retro look, you can’t go wrong with 1970s favorite Cooper Black, which is still finding popularity across branding and TV credits. The serif style that feels spot-on for right now is curvy and organic, with a chiseled, 1930s-inspired look. ITC Cheltenham (1975) is a revision with a larger x-height.Looking for a type update for your next project? These ten font styles are guaranteed to give your designs a fresh and modern overhaul.įrom monospaced styles to quirky geometric sans, these are the font families making waves in design right now.Ģ019 is shaping up to be the year of the serif, with more designers turning to modern interpretations of classic serif styles to bring a touch of grace and elegance to their work. Very successful and imported/copied by many foundries, including by Flinsch (as Roosevelt), Gans (as Veneciana), Klinkhardt (as Toskana), Olive (as Americaines Nouvelles), Hansen (as Craftsman Old Style), Monotype (as Gloucester), Stevens (as Sandringham Old Style), and Vanderborght (as Renaissance). The regular is called Cheltenham Oldstyle. Linotype, Monotype, and Ludlow each have duplicates of a dozen or more Cheltenhams, while Intertype has the same under the name Cheltonian. Benton produced Cheltenham Bold in 1904 and a score of variations up to 1913.

Trial cuttings were made as early as 1899, but it was not completed until about 1902, and patented in 1904 by Kimball. Further refined by ATF’s chief designer Morris F. Designed by Bertram Grosvenor Goodhue, assisted by Ingalls Kimball, director of the Cheltenham Press, who suggested and supervised the face.

These are the most common typefaces in the database, but there are many more.

Haas Inserat-Grotesk / Neue Aurora VIII (43).

Font similar to itc cheltenham